View source for Siren

[[Category:Definitions]]

''This article is about the mythological creature. For the '''[[Succubi (Collective)|Collective Succubi]]''' hunting pets called Syreen, see the SuccuWiki entry '''[[Syreen]]'''.''


{{this|the mythological creature}}

{{Infobox mythical creature
|Creature_Name = Siren
|Image_Name = Funerary siren Louvre Myr148.jpg
|Image_Caption = Cast terracotta funerary siren made in [[Myrina]], 1st century BC
|Grouping = Mythological
|Sub_Grouping = Water spirit
|Similar_creatures = [[Mermaid]]<br>[[Merman]]<br>[[Ondine (mythology)|Ondine]]
|Mythology = Greek
|Country =  
|Habitat = Seagirt meadow 
}}

In [[Greek mythology]], the '''Sirens''' ([[Greek language|Greek]]  singular: {{polytonic|Σειρήν}} ''{{unicode|Seirēn}}''; Greek plural: {{polytonic|Σειρῆνες}} ''{{unicode|Seirēnes}}'') were three dangerous bird-women, portrayed as [[Femme fatale|seductresses]]. Roman poets placed them on an island called [[Sirenum scopuli]].  In some later, rationalized traditions the literal geography of the "flowery" island of [[Anthemoessa]], or Anthemusa,<ref>"We must steer clear of the Sirens, their enchanting song, their meadow starred with flowers" is [[Robert Fagles]]' rendering of lines in ''Odyssey'' XI.</ref> is fixed: sometimes on [[Cape Pelorum]] and at others in the islands known as the [[Sirenuse]], near [[Paestum]], or in [[Capri|Capreae]].<ref>[[Strabo]] i. 22 ; [[Eustathius of Thessalonica]]'s Homeric commentaries  §1709 ; Servius I.e.</ref>  All such locations were surrounded by cliffs and rocks. Sailors who sailed near were compelled by the Sirens' enchanting music and voices to shipwreck on the rocky coast. 

When the Sirens were given a parentage they were considered the daughters of the river god [[Achelous]], fathered upon [[Terpsichore]], [[Melpomene]], [[Sterope]], or [[Chthon]] (the Earth; in [[Euripides]]' ''[[Helen (play)|Helen]]'' 167, Helen in her anguish calls upon "Winged maidens, daughters of the Earth"). Although they lured mariners, for the Greeks the Sirens in their "meadow starred with flowers" were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of [[Phorcys]].<ref>[[Virgil]]. V. 846; [[Ovid]] XIV, 88.</ref> 

Their number is variously reported as between two and five. In the ''[[Odyssey]]'', [[Homer]] says nothing of their origin or names, but gives the number of the Sirens as two.<ref>''Odyssey'' 12:52</ref> Later writers mention both their names and number: some state that there were three, [[Peisinoe]], [[Aglaope]], and [[Thelxiepeia]] (Tzetzes, ''ad Lycophron'' 7l2) or Parthenope, [[Ligeia]], and [[Leucosia]] (Eustathius, loc. cit.; Strabo v. §246, 252 ; Servius' commentary on Virgil's ''Georgics'' iv. 562); Eustathius (Commentaries §1709) states that they were two, Aglaopheme and Thelxiepeia. Their individual names are variously rendered in the later sources as Thelxiepeia/Thelxiope/Thelxinoe, Molpe, Aglaophonos/Aglaope/Aglaopheme, Pisinoe/Peisinoë/Peisithoe, Parthenope, Ligeia, Leucosia, Raidne, and Teles.

The Sirens of Greek mythology are sometimes portrayed in later [[folklore]] as fully aquatic and [[mermaid]]-like; the facts that in Spanish, French, Italian, Polish, Romanian and Portuguese the word for ''mermaid'' is respectively ''Sirena'', ''Sirène'', ''Sirena'', ''Syrena'', ''Sirenă'' and ''Sereia'', and that in biology the ''[[Sirenia]]'' comprise an order of fully aquatic mammals that includes the [[dugong]] and [[manatee]], add to the visual confusion, so that Sirens are even represented as mermaids. However, "the sirens, though they sing to mariners, are ''not'' sea-maidens," [[Jane Ellen Harrison|Harrison]] had cautioned; "they dwell on an island in a flowery meadow."<ref>Harrison 198f.</ref> 
[[Image:The Siren.jpg|thumb|upright|left|''The Siren'', by [[John William Waterhouse]] (circa 1900).]]
==Sirens and death==
According to [[Ovid]] (''Metamorphoses'' V, 551), the Sirens were the companions of young [[Persephone]] and were given wings by  [[Demeter]]<ref>Ovid has asked rhetorically, "Whence came these feathers and these feet of birds?" "Ovid's [[Etiology|aetiology]] is of course beside the mark," Jane Ellen Harrison observed; the [[Keres]], the [[Sphinx]] and even archaic representations of [[Athena]] are winged; so is [[Eos]] and some [[Titan (mythology)|Titans]] in the [[Gigantomachy]] reliefs on the [[Pergamon Altar|Great Altar of Pergamon]]; [[Eros]] is often winged, and the [[Erotes]].</ref> to search for Persephone when she was abducted. Their song is continually calling on Persephone.  The term "siren song" refers to an appeal that is hard to resist but that, if heeded, will lead to a bad result.  Later writers have inferred that the Sirens were [[anthropophagous]], based on [[Circe|Circe's]] description of them "lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones."<ref>''Odyssey'' 12.45–6, Fagles' translation.</ref>

As [[Jane Ellen Harrison]] notes of "[[Keres | The Ker]] as siren:" "It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh."<ref>Harrison 198</ref> For the matter of the siren song is a promise to Odysseus of mantic truths; with a false promise that he will live to tell them, they sing, 
<blockquote>Once he hears to his heart's content, sails on, a wiser man.<br>
We know all the pains  that the Greeks and Trojans once endured<br>
on the spreading plain of Troy when the gods willed it so—<br>
all that comes to pass on the fertile earth, we know it all!<ref>''Odyssey'' 12.188–91, Fagles' translation.</ref></blockquote>

"They are mantic creatures like the [[Sphinx]] with whom they have much in common, knowing both the past and the future," Harrison observed. "Their song takes effect at midday, in a windless calm.  The end of that song is death."<ref>Harrison 199</ref>  That the sailors' flesh is rotting away, though, would suggest it has not been eaten.  It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to provide for their visitors, who starved to death by refusing to leave.<ref>liner notes to ''[[Fresh Aire VI]]'' by Jim Shey, Classics Department, University of Wisconsin</ref>

==Appearance==
Sirens combine women and birds in various ways. In early Greek art Sirens were represented as birds with large women's heads, bird feathers and scaly feet. Later, they were represented as female figures with the legs of birds, with or without wings, playing a variety of musical instruments, especially harps. The tenth century Byzantine encyclopedia ''[[Suda]]''<ref> [http://www.stoa.org/sol-bin//search.pl?search_method=QUERY&login=&enlogin=&searchstr=sigma,280&field=adlerhw_gr&db=REAL Suda on-line]</ref> says that from their chests up Sirens had the form of sparrows, below they were women, or, alternatively, that they were little birds with women's faces. Birds were chosen because of their beautiful voices. Later Sirens were sometimes depicted as beautiful women, whose bodies, not only their voices, are seductive. 

The first century Roman historian [[Pliny the Elder]] discounted Sirens as pure fable, "although [[Dinon]], the father of [[Clearchus]], a celebrated writer, asserts that they exist in [[India]], and that they charm men by their song, and, having first lulled them to sleep, tear them to pieces."<ref>[[Pliny's Natural History]] 10:70</ref> In his notebooks [[Leonardo da Vinci]] wrote of the Siren, "The siren sings so sweetly that she lulls the mariners to sleep; then she climbs upon the ships and kills the sleeping mariners."

In 1917, [[Franz Kafka]] wrote in ''The Silence of the Sirens,'' "Now the Sirens have a still more fatal weapon than their song, namely their silence. And though admittedly such a thing never happened, it is still conceivable that someone might possibly have escaped from their singing; but from their silence certainly never."

The so-called "Siren of [[Canosa]]"<ref>[[Canosa di Puglia]], a site in [[Apulia]] that was part of [[Magna Graecia]].</ref> accompanied the deceased among [[grave goods]] in a burial and seems to have some [[psychopomp]] characteristics, guiding the dead on the after-life journey. The cast terracotta figure bears traces of its original white pigment. The woman bears the feet and the wings and tail of a bird. It is conserved in the [[National Archaeological Museum of Spain]], in Madrid.<ref>Image of  [http://en.wikipedia.org/wiki/File:Sirena_de_Canosa_s._IV_adC_(M.A.N._Madrid)_01.jpg La Sirena de Canosa]</ref>

==Encounters with the Sirens==
[[Image:Odysseus Sirens BM E440 n2.jpg|thumb|left|Odysseus and the Sirens, eponymous vase of the [[Siren Painter]], ca. 480-470 BC, ([[British Museum]])]]
In ''[[Argonautica]]'' (4.891-919), [[Jason]] had been warned by [[Chiron]] that [[Orpheus]] would be necessary in his journey. When Orpheus heard their voices, he drew out his [[lyre]] and played his music more beautifully than they, drowning out their voices. One of the crew, however, the sharp-eared hero Butes, heard the song and leapt into the sea, but he was caught up and carried safely away by the goddess [[Aphrodite]]. 

[[Odysseus]] was curious as to what the Sirens sounded like, so, on Circe's advice, he had all his sailors plug their ears with [[beeswax]] and tie him to the mast. He ordered his men to leave him tied to the mast, no matter how much he would beg. When he heard their beautiful [[song]], he ordered the sailors to untie him but they bound him tighter. When they had passed out of earshot, Odysseus demonstrated with his frowns to be released.<ref>''Odyssey'' XII, 39</ref>

Some post-Homeric authors state that the Sirens were fated to die if someone heard their singing and escaped them, and that after Odysseus passed by they therefore flung themselves into the water and perished.<ref>Gaius Julius Hyginus, ''Fabulae'' 141; Lycophron, ''Alexandra'' 712 ff.</ref> It is also said that Hera, queen of the gods, persuaded the Sirens to enter a singing contest with the Muses. The Muses won the competition and then plucked out all of the Sirens' feathers and made crowns out of them.<ref name=Lempriere>Lemprière 768.</ref> 

[[Image:John William Waterhouse - Ulysses and the Sirens (1891).jpg|thumb|right|''Odysseus and the Sirens''. An 1891 painting by John William Waterhouse.]]

==Christian belief==
[[Image:Sirena de Canosa s. IV adC (M.A.N. Madrid) 01.jpg|thumb|upright|left|The "Siren" of Canosa]]
By the fourth century, when pagan beliefs gave way to Christianity, belief in literal sirens was discouraged.  Although Jerome, who produced the Latin Vulgate version of the Scriptures, used the word "sirens" to translate Hebrew ''tenim'' (jackals) in Isaiah 13:22, and also to translate a word for "owls" in Jeremiah 50:39, this was explained by  [[Ambrose]] to be a mere symbol or allegory for worldly temptations, and not an endorsement of the Greek myth.<ref>Ambrose, ''Exposition of the Christian Faith'', Bk 3, Chap. 1, 4</ref>   

Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era; however, in the 17th century, some Jesuit writers began to assert their actual existence, including Cornelius a Lapide, who said of Woman, "her glance is that of the fabled basilisk, her voice a siren's voice—with her voice she enchants, with her beauty she deprives of reason—voice and sight alike deal destruction and death."<ref>Longworth, T. Clifton, and Paul Tice (2003). ''A Survey of Sex & Celibracy in Religion.'' San Diego: The Book Tree, 61. Originally published as ''The Devil a Monk Would Be: A Survey of Sex & Celibacy in Religion'' (1945).</ref> 
Antonio de Lorea also argued for their existence, and Athanasius Kircher argued that compartments must have been built for them aboard Noah's Ark.<ref>Carlson, Patricia Ann (ed.) (1986). ''Literature and Lore of the Sea.'' Amsterdam: Editions Rodopi, 270</ref>

The Early Christian euhemerist interpretation of mythologized human beings received a long-lasting boost from Isidore of Seville's ''Etymologiae''.<ref>Grant, Robert McQueen (1999). ''Early Christians and Animals.'' London: Routledge, 120. Translation of Isidore, ''Etymologiae'' (c. 600-636 A.D.)
<blockquote>Book 11, On Man and Portents. Ch. 3: Portents. 30."</ref> "They [the Greeks] imagine that 'there were three Sirens, part virgins, part birds,' with wings and claws. 'One of them sang, another played the flute, the third the lyre. They drew sailors, decoyed by song, to shipwreck. 31. According to the truth, however, they were prostitutes who led travelers down to poverty and were said to impose shipwreck on them.' They had wings and claws because Love flies and wounds. They are said to have stayed in the waves because a wave created Venus."</blockquote> 

Charles Burney expounded c. 1789, in ''A General History of Music'': "The name, according to Samuel Bochart, who derives it from the Phoenician, implies a ''songstress.'' Hence it is probable, that in ancient times there may have been excellent singers, but of corrupt morals, on the coast of Sicily, who by seducing voyagers, gave rise to this fable."<ref>Austern, Linda Phyllis, and Inna Naroditskaya (eds.) (2006). ''Music of the Sirens.'' Bloomington, IN: University of Indiana Press, 72</ref> John Lemprière in his ''Classical Dictionary'' (1827) wrote, "Some suppose that the Sirens were a number of lascivious women in Sicily, who prostituted themselves to strangers, and made them forget their pursuits while drowned in unlawful pleasures. [The etymology of Samuel Bochart, who deduces the name from a Phoenician term denoting a ''songstress,'' favours the explanation given of the fable by Christian Tobias Damm.<ref>Damm, perhaps ''Mythologie der Griechen und Römer'' (ed. Leveiow). Berlin, 1820.</ref> This distinguished critic makes the Sirens to have been excellent singers, and divesting the fables respecting them of all their terrific features, he supposes that by the charms of music and song they detained travellers, and made them altogether forgetful of their native land.]"<ref>Lemprière 768. Brackets in the original.</ref>


==See also==
* [[Harpy]]
* [[Nymph]]
* [[Rusalka]]


==References==
{{reflist|2}}


==Bibliography==
* Harrison, Jane Ellen (1922) (3rd ed.) ''Prolegomena to the Study of Greek Religion.'' London: C.J. Clay and Sons.
* Homer, ''The Odyssey''<!--Is the article quoting two different editions of ''Odyssey'' translations? Authors, please specify here and differentiate in the text. Thanks-->
*Lemprière, John (1827) (6th ed.). ''A Classical Dictionary;....'' New York: Evert Duyckinck, Collins & Co., Collins & Hannay, G. & C. Carvill, and O. A. Roorbach.


==Further reading==
*Siegfried de Rachewiltz, ''De Sirenibus: An Inquiry into Sirens from Homer to Shakespeare'',  1987:  chs: "Some notes on posthomeric sirens; Christian sirens; Boccaccio's siren and her legacy; The Sirens' mirror; The siren as emblem the emblem as siren; Shakespeare's siren tears; brief survey of siren scholarship; the siren in folklore; bibliography"


==External links==
*[http://en.wikipedia.org/wiki/Siren The original source of this page at Wikipedia]
* [http://www.theoi.com/Pontios/Seirenes.html Theoi Project, Seirenes] the Sirens in classical literature and art
*[http://www.stoa.org/sol-bin/search.pl?db=REAL&search_method=QUERY&login=guest&enlogin=guest&user_list=LIST&page_num=1&searchstr=sigma%2C280+&field=adlerhw_gr&num_per_page=100 The Suda (Byzantine Encyclopedia) on the Sirens]