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Dawn Song
For other uses of the word Succubus, see Succubus (disambiguation).
Details
- Title: Dawn Song
- Author: Michael Marano
- Format: Paperback
- Publisher: Tor Books
- Pages: 400
- Language: English
- ISBN-10: 0812545478
- ISBN-13: 978-0812545470
- Release Date: September 15, 1999
Synopsis/Commentary
"The Succubus was newly born, nurtured by the loving care of a horned prince from the pummeled soul of a camp-following whore (who had, in fleshy life, serviced one of Napoleon's best officers). With skilled hand and eye, like a master jeweler, he fashioned his child from this twisted spirit, purifying and distilling her ... burning and sculpting this ghost of a once human thing into a crimson-skinned siren--her form holding the secret fire of cinnabar and the muted light of a November sunset."
According to Michael Marano, there are two great powers in the depths of Hell. Belial, the Unbowed One, is the horned prince who treasures beauty--the beauty of individual human souls, the beauty of a future when all is "despair and the terror of the omnipresent sublime." Leviathan, the Enfolded One, is an enormous armored worm, a blind idiot whose only purpose is the perpetuation of ugliness--the banality of evil, human souls entrapped in a gross, undifferentiated mass.
The battle between these two comes to a head in Boston, at the end of 1990, the dawn of the Gulf War. The combatants are a newborn succubus and a handful of benighted human beings. The backdrop is the darkness of the River Charles, the lavender-gray of the winter sky, and the millions of lonely voices of the city.
Dawn Song is an ambitious first novel, enriched by the author's grad school background in medieval history, alchemy, and the kabbalah. Marano's measured, often lyrical prose uses a host of gritty details to evoke the desperation of a handful of Bostonians--their unique, yet sadly predictable, plights, and their multilayered inner worlds.
The complex plot is skillfully woven together around the themes of evil-as-beauty vs. evil-as-ugliness. The book's only flaw is that the ending is rather muddled, but you'll have been treated to so many poignant moments and amazing horrors by the time you get there, you'll hardly mind. --Fiona Webster --Amazon.com Review
Opposing powers in Hell use human surrogates to duke out their differences in this ambitious but ponderously overwritten dark fantasy debut. The immortal adversaries in Marano's occult cosmos are Belial, the Unbowed One, whose earthly emissary is a sexually voracious succubus named Jeannette, and Leviathan, the Enfolded One, who embodies what "the world knows as patriotism, bold enterprise, religious fervor, and righteous indignation."
The mortal puppets whose strings they pull include sensitive gay bookstore clerk Lawrence, Harvard Divinity School student Ed Sloane (Lawrence's unrequited love interest) and a motley assortment of hangers-on to the Boston academic community. Set in 1990, at the height of the Gulf War, the novel attempts to delineate kabbalistic forces that shape the turmoil of individual lives and global dramas. But Marano's dark divinities, whose thoughts manifest in eccentrically typeset passages, are inscrutable to mere mortal readers. His human characters are not much clearer: mired in angst over the flaws that make them vulnerable to infernal influences, they can barely cross a room without collapsing into heaps of self-reflection.
Marano compounds these drags on his narrative's momentum with an assault of awkward analogies and metaphors ("The mental images that strung his ideas into a cogent thesis were consigned to a particular hall of his memory palace. The mnemonic devices were displayed as suits of armor would be in the hall of a museum"). Despite its vividly imagined tableau of the world as a cosmic combat zone and average Americans as celestial soldiers, this novel is disappointingly devoid of the awe and mystery it strains so mightily to evoke. -From Publisher's Weekly
Book Review
The following reviews are from the Amazon.com listing in the External Links below:
- 5.0 out of 5 stars
- An Excellent Debut Novel
- Reviewed on: August 8, 2001
- By Lauryn Angel-cann
Michael Marano is quite a talented writer. The greatest strengh he reveals in his first novel is character development. Whether the character in question is one of the novel's major figures or one of the victims in the supernatural war being waged in the streets of Boston, Marano spends time to fully flesh each character out, so that the reader really gets to know the character well. This is particularly effective when Marano makes the reader begin to like a character, just to have him killed by a demon three pages later. In addition, because there are so many well-thought-out characters, it's difficult to tell who the hero of the novel is, or whether there even *is* a "hero" in the standard sense.
The plot is thought-provoking as well. When two demons battle for world dominion, who is the "good guy"? Marano deftly avoids the plot pitfall of bringing in God to quash the demons and restore everything to normal, which was refreshing. Instead, the tensions keep mounting until the novel's end, which makes for compelling reading. I had to finish the book in one night because I couldn't go to sleep without knowing what was going to happen next.
- 4.0 out of 5 stars
- Thinking horror
- Reviewed on: March 29, 2000
- By mellion108
It took me a while to get really "into" this one. However, I was really hooked from page one because I just couldn't put it down. The writing is lyrical, nearly poetic, the images created are haunting. The novel introduces a series of characters on a variety of levels; nothing is truly as it first appears in this novel. The Succubus is such an incredible character; she is erotic and dangerous without any other motive than to fulfill her purpose for coming to earth. Her image will stick with you throughout this read. The dialogue is intelligent and realistic, the images are sharp, and the plot keeps building throughout the novel. This is a must-read for the intelligent horror reader.